Oh Mama, I Hope It Never Ends: Salvation on the East Coast with Bob Dylan |
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| Written by Frederick Hidell |
| Tuesday, 11 August 2009 00:00 |
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Someone once said to me, "It's as though you want works of art to save your soul," and it is probably true. I really do believe that art can save your soul, but salvation is a heavy burdern to place on the shoulders of a sixty-seven year old performer. When I saw that Dylan's Never Ending Tour was making a Canadian East Coast jaunt in late May 2008, I bought up tickets to the Saint John, Moncton, and Halifax shows. The Bluesfest mistake would be corrected! Salvation is a heavy burden to place on the shoulders of a 67 year old singer.In the dark night of mediocrity that is their jobs, public servants cling to a singular hope: retirement. But I needed something more than just that faint glimmer of hope on the distant horizon of life if I was going to survive. I was hoping that Bob could give it to me. Is it possible for a man's sanity to be determined by the outcomes of a concert? Would a poor performance by Dylan push me headlong into full-on suicidal abandon? Would a good show save my soul? I was about to find out, but first . . . a trip to the bathroom.
"This is my first show," I admitted. "I've got tickets for the next couple nights. Moncton tomorrow, then Halifax." "Of course, of course," he said, nodding. "Are you heading to Newfoundland for the two shows in St. Johns after that? I've got great seats for both those shows." "No," I said. "Just the three." He looked quite sad for a moment, but then he smiled. "Well," he said, reaching out to me. "We do what we can. Right, man?" I took his hand in mine and we shook. "We do what we can," I said. Less than twenty minutes later, Bob Dylan is on the stage singing, "Oh mama, can this really be the end? / To be stuck inside of Mobile with the Memphis blues again," and everything is right in the world. Joints are being lit and passed around, people are cheering, others watch on in rapt ecstasy, and Bob sounds absolutely wonderful. Full and rich and alive. About twenty seats in front of me, almost in the front row, I can see an orange shirt bobbing up and down, joyously dancing to the music. Did the man in that orange shirt know why he was there any more than I did? Was he escaping something as well? It didn't seem to matter anymore. Whatever it was we were all looking for that night, we had found it. Frederick Hidell is a freelance journalist and self-published novelist. He can be contacted through his editor at This e-mail address is being protected from spambots. You need JavaScript enabled to view it Related Articles: An Interview with Joshua Cicerone, creator of Bob Hates Andy Bob Dylan Double Bill: Bring Your Own Tissue The Heath Ledger Roundtable Discussion Five Songs Worth Remembering From 2008 Bob Dylan and Barry Feinstein’s Hollywood Foto-Rhetoric: the Lost Manuscript
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Comments (2)
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I´m with you
Your text brougth smile to my face, my experince was somewere along your lines.... in the States, Atlantic City and Hersey - june 2007 - and my hometown is Reykjavik, Iceland.
thoughts
salvation is on your own shoulders but isn't it more accessible during a Dylan song? |





















The dreadlocked man left, and the orange-shirted man turned to me and asked, "When was the last time you saw Bob?"
