Remember last year when Gossip Girl finally learned how to do a finale right? This year, with Monday night’s “The Wrong Goodbye,” they went us one better: not only was Georgina on the scene to wreak adorably unhinged havoc, she sniffed out a kindred in a matter of minutes. Attagirl. Otherwise, Serena and Dan finally admit the truth, Blair gets her fairytale, and Chuck and his beloved get back together in style. AND my prediction that Ed Westwick would make up for last week’s dearth of exquisitely expressive faces proves so right I may have to get a swooning couch.

Not unless the thing was twisted and nasty, in which case my help could prove invaluable.

Vanessa and Serena have teamed up to find Charlie. Vanessa doesn’t know that Serena’s a certified crime fighter, so she’s boo-hooing all Serena’s ideas and generally being Vanessa up in this cab. Serena finally shuts the bickering down and decides that they should just work together until they know the status of the currently unfolding murder-suicide they’ve imagined. Also, as suspected, Charlie Single White Female-d her roommate in college. That was her bugaboo.

Last week’s The Vampire Diaries, “The Last Day,” proved two things: Damon is love’s bitch, and there’s little anyone can do to stop Klaus. Not that I think Elena is going to die (I’ve watched TV before, babies), but there’s no telling what the exact outcome will be. Also, the CW Rochester STILL has flippin’ sound problems during VD broadcasts. Get it together, network.

Magic Elixir Does the Body Good

The ep opens with shirtless Damon, and one of my viewing companions opines that all eps should start this way. Downstairs in front of Eternal Fireplace, Elijah is recapping the truth about the curse for Stefan and now Damon. Damon’s all about power player Bonnie, but Elena – natch – is still tweaking about her best girl dying. Damon: “I'll write her a great eulogy.”  I can only imagine! “In the months since I tried to rip Bonnie’s throat out, we developed a steamy sexual chemistry that forced us to no longer share the screen because the writers weren’t pushing a dirty, dirty vamp-witchy romance. I sure as hell thought about it, but it didn’t happen. Anyway, turns out she was cool beans. Now she’s dead. See ya, Bon-Bon! Have fun with other Bitches of Eastwick serving nature in the great beyond!”

Going into last night’s The Vampire Diaries, “Masquerade,” we knew two things: that Stefan and Damon were going to kill Katherine and that Matt was going to die to turn Tyler, which mean that we knew one more thing: neither of these characters were going to die. Not that The Vampire Diaries isn’t the kind of show that goes around just killing characters for the heck of it – because it so is and that’s one of the many reasons we love it – but because it’s too soon to kill Katherine and killing Matt would just be a waste. The great thing about this show, though, is that you’re actually on the edge of your seat wondering how these plots will be thwarted. And that how? Is so awesome. I love this show.

Because I’m Going to Kill Her

Eternal Fireplace. “Masquerade” begins with the now classic intercut intro. Damon’s administering a calming tumbler of blood to a shaken Caroline while prompting her to run the story by a newly arrived Stefan. Caroline’s story is cut with delightful little editorials from Damon. The gist: Katherine’s down at the Grill impersonating Elena. In the bathroom, she once again uses Caroline as her messenger: tell Damon and Stefan that I want the moonstone tonight at the masquerade ball. Having something Katherine wants is one thing, but having an opportunity is something neither brother can pass up. Damon immediately crows that he’s going to kill Katherine, and Stefan goes, “No, you’re not.” This goes back and forth for a short while because Somerhalder and Wesley have got the brother thing down pat, but finally Damon is like, “This is no time for your humanity, bro,” and Stefan tells the truth, “You're not going to kill her. [beat] Because I’m going to kill her.” Aw, hells ya.