Despite rocking all over the place the week prior, Alaric is nowhere to be seen in last week’s The Vampire Diaries, “The Reckoning.” I guess he needed to recharge the AWESOME before dropping it on us again (next time!). In the meantime, Caroline’s obsession with doing normal, fun, teenage things ends disastrously (yet again) for pretty much everyone involved: Matt, Elena, Tyler, Bonnie, Stefan, and Klaus and Rebekah to a certain extent. Even Damon gets his feelings hurt. Things go slightly better for Katherine, but it’s really only a matter of time.

Mystic Falls is Afraid of Locks

So Matt is working out at high school by himself at night. I'm pretty sure you can't just bust into the weight room like that. To the point where we needed supervision just to use it during normal school hours at my high school. But we all know the townsfolk of Mystic Falls don’t stand on little things like legal liability. A shadow runs by, and Matt runs after it because he is so sad that even ghost friends seem like a good company to him. Instead, he finds Tyler, Caroline, Bonnie, and Elena setting up mousetraps all over the floor in an empty classroom because . . . it’s senior prank night. And none of his alive (or undead, in Caroline’s case) friends invited him. Thanks, guys? And you wonder why Matt is so lonely that he WANTS to be friends with a ghost. Outside of Casper, of course. We all want to be friends with Casper, right? Devon Sawa was so cute back then!

Here's something: I discovered/realized that I never posted or even wrote a recap for The Vampire Diaries' Season 2 finale, "As I Lay Dying," but I did keep my notes. I type them while I watch, as my viewing companions can attest. With the exception of correcting a typo or two, I've decided to post them for you in full, so you can use them as a quick reminder before Season 3 kicks off tonight. Also because I'm hardly going to write a full recap at this late date. 

• A full minute of previouslies!
• Elena watches Jer sleep . . . I guess she's just checking on him, but it's weird. Mostly because of the artful streaming light.
• Damon shows up teary-eyed to apologize. Elena needs time and maybe a lot of it before she'll be ready. "Sure, of course. Take all the time you need."
• Damon enjoys an old bottle o'booze he's clearly been saving and pulls off his ring front of a window.
• Stefan jumps him hard core!
• And tosses him in the cellar of self-pity!
• Always the hero, Stefan. Just tell me goodbye and get it over with.
• Klaus wakes up naked in the woods and says to his brother, "That was amazing." While his brother casually rains down clothes.
• He was a wolf a full two days.
• Klaus won't give up the info.
• Alaric is wicked drunk at the Grill when Stefan calls him about Damon: What do you need? AW.
• Caroline insists that they persevere at a outside screening of Gone With the Wind.
• Stefan and Bonnie hold a seance, and Bonnie starts channeling Emily.
• That's not balance; that's punishment.
• The bitches of eastwick give Bonnie stabbing pains because they think she's abusing her powers, but she manages to catch one word: Klaus.
• Of course it is. Fucking Klaus.
• Lady Mayor shows up making demands of Sheriff to deal with the town's vampire problems, as she is not keeping the town safe. Dun!
• Look who couldn't resist an epic romance.
• Stefan gives Elena the truth about Damon, so she can make it right/accept his apologies.
• Damon's hallucinating back to his Katherine days, and Elena shows up to point out that Katherine was only ever using him.
• Stefan starts with Alaric's, which is indeed still infested with Katherine and Klaus. Too bad Klaus just stabbed him with a silver blade. And now he's got Stef up against a post. Hmm.
• Stake to Stefan's stomach! Even tortured, Stefan thinks of his brother: just give me the cure, and I'll do whatever you want.
• You are just shy of useless.
• My subconscious is haunting me, Ric.
• Alaric doesn't blame Damon for Jenna.
• Give me your glass. Neither one of us is drunk enough for this conversation.
• Kill me, please.
• Screw you.
• Elena arrives, but the Sheriff is there to cause trouble with her deputies.
• Sheriff locks Alaric in the blood closet then busts into the self-pity cellar. Man, she doesn't even remember her tenure there!
• You keep doing this! You left me behind before, and Jenna still died.
• Oh, dear, Stefan's reputation as a bloodcoholic and ripper has proceeded him.
• Oh, shit, it's Klaus's blood that's the cure, and he only wants to deal with the ripper.
• Damon's trippin' balls at the Gone with the Wind screening. It's taking him back.
• Elena's stuck in the Sheriff's office.
• Jer brings Damon to the Grill, where the Sheriff shows up to shoot him. Too bad Damon dodges, and Jer takes the wooden bullet. Caroline and Bonnie break in, and Caroline feeds Jer her blood, but it might be too late. Good fucking job, Sheriff.
• Alaric's here now, too.
• Bonnie seems to think she can save him, so Alaric carries him away.
• Brave little toaster throws a chair through the office window and busts on out of there.
• That's too bad. You would have made a helluva wing man.
• Klaus will give Stefan his blood in exchange for a decade long bender. You do everything I say and I save your brother, that's the deal.
• Stefan shotguns a blood bag, and then another. He makes some hilariously angry faces while he's at it. Hee.
• Bonnie brings Jer the witches, but they don't want to help Bonnie. There will be consequences.
• He's just a kid, tell them to shut up.
• Finally, Bonnie begs for Emily's help. She loves Jer.
• All the fire goes dead, and Bonnie cries in the darkness, but Jer comes to.
• Atlanta is burning when Elena finds Damon.
• He gets all confused with drinking Katherine's blood to turn and bites into Elena. It's super creepy, with Elena saying things like no and stop and you don't have to do this and you're hurting me. After a few sips, though, he figures out that it's Elena and stops, collapsing.
• Caroline gets the call that Jer's alive. Sheriff thought she killed him. You did.
• Caroline tells Sheriff about the time she compelled her. Finally, they hug and cry.
• Jer and Bonnie have a very sweet talk, and Alaric shows up to maybe stay and mock him for good.
• Damon's taken to his sick bed and into Elena's arms.
• All those years I blamed Stefan. No one forced me to love her. It was my own choice. I made the wrong choice. Tell Stefan I'm sorry, okay?
• Stefan is mad drunk, you guys. He's on a bender something fierce.
• Klaus compels Katherine to take the blood over, but we all know Katherine's on vervain. Stefan mumbles a no, but it's too late. Katherine's gone.
• Damon thinks he deserves to die, but Elena doesn't. She forgives him.
• Damon finally tells Elena that he loves her.
• You should have met me in 1864. You would have liked me.
• I like you now, just the way you are. And she kisses him just once: goodbye.
• Katherine does show up, as she owed Damon.
• Stefan, on the other hand, gave himself over to Klaus.
• Oh, it's okay to love them both? I did.
• STFU, Katherine! You make no sense!
• Klaus knew Katherine was on vervain, and now he wants Stefan to help track her down.
• "What is it you really want from me?" "All will be explained in time."
• Klaus brings in another teen and gets her started. Wow, that sounds gross. Stefan finishes her while the world shakes. His eyes glows a scary blue when he drops the body.
• Jer wakes up 'cause there's some weird mystical shit afoot. Weird mystical shit like Vicki and Anna chillin' in his kitchen.
• Next time: there is no next time! Not for months!

I’d share with the extent of my disappointment with the last couple episodes of True Blood, but, since my 32 day-old computer died, I can’t really. Suffice it to say that I put a hell of lot of effort into “I Wish I Was The Moon” and none into “Cold Grey Light of Dawn” since it was largely about people feeling their feelings. Last night’s episode, “Spellbound,” got a bit more into the action, though some of it still felt  like wheel-spinning and contrivance for contrivance’s sake. Still, Hot Bill, Eric and Sookie getting stoned, and Martonia getting a pet aren’t so bad. Lafayette getting possessed and thus further drawn into that damnable baby plotline? Not so much. Where’s Jesus when you need him?

Silver is Not like a Band-Aid

Jessica’s all ready to bust open the doors and die very slowly and painfully out in the sun (remember, the younger a vamp is, the slower s/he burns). Fortunately, Jason’s there to jump her, boot the doors shut, and wrap darling Jessica in Bill’s zebra rug. Heh. Bill’s redecoration has not gotten old for me. Did he hire someone? I mean, surely to do all the work, but did he hire someone to help him with the colour palette and all that? My favourite thing about Bill is what Bill gets up to when we’re not looking, e.g., buying a Wii and Fresca, and that hasn’t changed over four seasons. It’s just icing that Bill is hot all the time now.

Last night’s True Blood, “Me and the Devil,” was another week of not much going on, but a lot of pieces were moved into place for things to go batshit in the weeks to come. For now we’re treated to some heavy philosophy, bouncing from religious freedom to heaven and hell to the nature of evil. Spectral Godric makes a very bad appearance, Adele makes a very good one from the Great Beyond, Lettie Mae resurfaces, King Bill’s life gets a little worse, Jason’s life gets a little better, and Tommy becomes a skinwalker. Best part? Not a single second in Horrible Hot Shot.

What about War and Self-Defence?

Joe-Lee’s still got that chain around Tommy’s neck at the top of the hour, and Melinda is running around alternating yelling at Joe-Lee not to kill Tommy and Tommy to be nicer to his dad. Melinda has gone from being tragic victim of violence to full-on crazy lady for me. Kill ‘em both, Tommy. And he does! Hurray! He plays dead a little, then brains Joe-Lee with a pipe. He keeps having to throw his crazy mama off his shoulder, and eventually Melinda doesn’t get up from one of those falls. “Mama?” he gaps into the credits.

Last night’s True Blood, “I’m Alive and on Fire,” was something of a letdown after three weeks of AMAZING. It naturally had to be (how could you keep that up?), though it was still disappointing when not much happened (and doubly disappointing to crash to black at 9:50 exactly). We did, however, get to further experience the tragedy of Bill Compton, gain some insight into our embittered witch friend, and watch one of the horrible denizens of Hot Shot die. Plus, there was a Wet Torso Contest, so I guess it’s not all bad.

I Will Slay All the Sea Monsters

No sooner has Claudine gone up in a cloud of faerie dust than Sookie is insistent that Eric get back to his cubby, lest the fae be lurking about. Puppy Eric is apparently more interested in keeling over. Just when I think he’s on his very own trip to Fairy Land, he sort of snores and wiggles his arms around and gets back up, blood all over his face because blood never washes. He slurs that he wants more and keeps approaching Sookie long after she tells him to quit it. He flicks back her side pony tail (guess he’s a right biter). As he comes in for the bite, Sookie whisper-yells, “Don’t, Eric, you’ll kill me.” Puppy Eric’s head snaps back. Wounded, he explains that he could never hurt Sookie. The fangs retract. Relieved, Sookie tries to lead him to the cubby, but Eric’s not having it. He keeps pinching her butt (“beautiful butt,” he clarifies) and running away at vamp-speed. Finally, Sookie gets it, “Eric, you’re drunk.” Drunkety drunk drunk drunk would be more accurate, but I guess that’s close enough. Drunky Eric is like, “Duh, Snooki.” Despite dawn approaching, he’s upping grab ass to tag. “Chase me,” he implores, taking off at vamp-speed. Sookie chases him into the credits.

Ho, boy. Last night’s True Blood, “If You Love Me, Why Am I Dyin’?” had a whole lot of only a few of things: horrible Crystal in horrible Hot Shot, approximately 1000 new faces from Puppy Eric, and rape. Talking about it, threatening it, seeing it happen. If you know me, then you know that’s my line, so I don’t know how I am going to deal with the fallout. I’ll probably comfort myself with the triumphant return of Alcide.

This is . . . my house?

Out by the side of the road, the camera makes sure to lovingly pan up from Puppy Eric’s bare feet (called it!), revel in his naked torso, and come to rest on his handsome, confused face. Fangs out, he wonders anew why Sookie smells so good, but this time he’s a little more descriptive: “Like wheat (sniff) and honey (sniff) and sunshine.” Sookie: “You know perfectly well why I smell . . . the way that I do.” She punctuates this with a pert little nod, like, this topic is no longer open for discussion, and I marvel at the idea that Sookie/Anna Paquin was ever considered a weak link on this show. We couldn’t be luckier to have her, folks. Puppy Eric, however, pays no never mind to the naysayers and leans into the car to, I don’t know, take a big whiff. Sookie hits the gas, makes it all of a couple of hundred feet while watching Puppy Eric in the rear view, then stops when she doesn’t see him anymore. Forsooth, Sookie. Try to remember that time he punched a giant dent into the front of your car. Was that her car or was it Bill’s? If it was her’s, you know he got that fixed up, too. Do you think it’s significant that her car and her house are yellow? Is it related to her sunshiny-ness? Item reserved. So Sookie’s looking around when Puppy Eric reappears and pounces on her through her open window. Sookie screams us into the credits.

If “She’s Not There,” was set up, then last night’s True Blood, “You Smell Like Dinner,” is rapid payoff. Sure, a lot of it is just pushing forward everyone’s season arcs, but it feels less like soapy wheel spinning (secrets and lies) and more like actual things happening. Say what you will about True Blood; this show can cram a helluva lot of plot into an hour. Check it: Tara’s back, Crystal’s back, Bill flashes back, Eric flashes back, Sookie runs all over town trying to figure out how not to be Eric’s, and Pam gives some really good advice. Also, Louis Pasteur? Total vampire. Someone update that entry, STAT.

Two Sookies Enter, Only One Can Leave

Despite how we left things, with Eric advancing on Sookie fangs out and Sookie’s robe in his hand, Sookie’s hurrying down the stairs of Stackhouse Shack while tying her robe and denying that she will ever be Eric’s. Alright, let’s just get this one out of the way upfront, so we can concentrate on the proceedings: WHAT KIND OF AN IDIOT DOESN’T WANT TO BE ERIC’S? SIGN ME UP! Ahem. Right, so, Eric zips down the stairs and tells it like it is: Sookie’s blood tastes like freedom and sunshine. While vampires may not realize it or why, that’s what they smell when they smell her. Sookie asks petulantly if Eric is threatening her (get a clue, Sook). He explains that on the contrary, Sookie’s going to need protection, and, straightening up to his full height of GIANT, he can offer that protection. Sookie will take her chances and flounces off to the kitchen, but Eric’s not going to rest his case quite that fast. He also, as you may recall, owns this house. Sookie snaps back that the house doesn’t come with her inside it, and Eric fires off that if that is the case, he “grossly overpaid.” I still think it’s gross that Eric considers Sookie transitive property or property of any kind, really.

HOLY SHIT! Truth: I yelled that while HBO Canada was giving me the 14A warning. Nothing had happened yet, but I was really excited, you guys. Fortunately, last night’s Season 4 True Blood première, “She’s Not There,” had “holy shit” in spades. It’s been over a year since Sookie stepped into the light with Claudine, and it has lead to a lot of delicious new developments for every single one of our beloved characters. Also, Eric tries his hand at growling. Result? Excellent. Now let’s do bad things.

WAIT: Before this season started, I read a number of things about how True Blood can get back on track after Season 3. I wasn’t aware that it went off-track in S3, but apparently people weren’t as into vampire politics as I am. Too bad, fools. Russell Edginton is a genius creation. Denis O’Hare, hats off to you.

I’ve left it way too late to give you a proper recap of last Thursday’s The Vampire Diaries, “The Sun Also Rises,” but feel I must write something, so here goes: relentlessly advertizing it as the episode before the season finale, even though it focused on the season-long obsession (the sacrifice) made it pretty clear to me FROM THE JUMP that we haven’t seen the last of Klaus. If I were a betting woman, I would have split my monies thusly: the sacrifice goes according to plan (for Klaus, obvs), and he spends the next episode terrorizing everyone who tried to stop him OR the sacrifice doesn’t go according to plan, and he spends the next episode terrorizing everyone who stopped him. Instead, Klaus gets everything he wants, and we’re going to spend the next episode dealing with . . . Damon’s feelings? (More on this in a minute).

Alright, so there’s some other stuff in between. Stuff like Jenna totally dying. As much as I liked Jenna, Sara Canning was wildly underused for most of the series’ run, so it’s better for the show (and the actress, I hope) to cut its losses. A lot of her scenes in this ep, outside of the serious emotional stuff with Elena, were Vampire 101, and we’ve already been through that with Vicki and Caroline (come to think of it, why no new male vampires, show?). Again, as much as I like Jenna and Canning as Jenna, we’ve done this. Let’s move on to the good stuff, like Klaus totally ripping out Jules’ heart. Admit it: you cheered. No one liked Jules, did they?

Right, Jenna. Jenna, heartbreakingly, realizes that she’s failed Elena as her guardian (it was really more of a fail by omission, in that she never knew enough about what was happening to do a better job), so she gives protecting her ward one last effort: she sinks those brand-new vampire fangs into Greta’s neck. Unfortunately, Klaus pulls her off before she can finish the job and stakes Jenna. She dies. It’s both a devastating blow and not much of one, all things considered.

Last week’s The Vampire Diaries, “The Last Day,” proved two things: Damon is love’s bitch, and there’s little anyone can do to stop Klaus. Not that I think Elena is going to die (I’ve watched TV before, babies), but there’s no telling what the exact outcome will be. Also, the CW Rochester STILL has flippin’ sound problems during VD broadcasts. Get it together, network.

Magic Elixir Does the Body Good

The ep opens with shirtless Damon, and one of my viewing companions opines that all eps should start this way. Downstairs in front of Eternal Fireplace, Elijah is recapping the truth about the curse for Stefan and now Damon. Damon’s all about power player Bonnie, but Elena – natch – is still tweaking about her best girl dying. Damon: “I'll write her a great eulogy.”  I can only imagine! “In the months since I tried to rip Bonnie’s throat out, we developed a steamy sexual chemistry that forced us to no longer share the screen because the writers weren’t pushing a dirty, dirty vamp-witchy romance. I sure as hell thought about it, but it didn’t happen. Anyway, turns out she was cool beans. Now she’s dead. See ya, Bon-Bon! Have fun with other Bitches of Eastwick serving nature in the great beyond!”

I just watched last week’s The Vampire Diaries last night, so I don’t really have time to give “Klaus” the full recap treatment. But! I do need to talk about how the sun and the moon curse doesn’t exist because this shit is genius.

I’ll admit that I wasn’t too jazzed about a Klaus backstory ep. It seems like filler to me. I should have known better, though, because Vampire Diaries don’t play that way. “Klaus” wasn’t as action packed as “The Last Dance” or my hero “Masquerade,” but it did give us the answer we’ve all been waiting for: why the curse matters to Klaus. As an Original, he’s not bound by the sun, so what else is there? I’ll tell you what: there is no sun and moon curse. There is only one curse, it’s only on Klaus, and it’s to quell his vampire-werewolf hybrid nature. YES! He’s Scott Speedman in Underworld! Sadly not played by Scott Speedman, but still. Here’s how that goes.

Klaus and his six brothers and sisters, including ELIJAH, make up the Originals. Don’t ask me how because Elijah didn’t want to get into the specifics. Except Klaus, you see, is the product of an affair between their mother and the father of a werewolf clan (werewolves predate vampires, it turns out). A vampire-werewolf hybrid is too powerful and has no natural balance, so the servants of nature (i.e. witches, now called eco-warriors) put a curse on Klaus to limit him to vampire. Klaus seeks to break the curse because it’s all about power. It’s all about power being, of course, a conclusion I can get behind.

Words to live by, Stefan. Last night’s new The Vampire Dairies, “Daddy Issues,” mostly had nothing to do with Uncle Daddy (and his spiffy new ‘do) and more to do with how vampires and werewolves and can learn to be friends if they could act more like Stefan and Caroline (and dearly departed Mason, for that matter). Stefan tries for a truce, but it all goes awry when Caroline gets kidnapped. Damon bookends the episode with time in the shower and tub, and Elena wears a ponytail all episode long. Aside from a few expositionary retcons, another delightful episode from this compulsively watchable series.

When in doubt, put Damon in the shower

The camera’s lovingly worshiping Damon’s wet form in his fabulous, spacious glassed in shower with rain shower water head, and, man alive, I bet Damon designed this room himself. The camera is sadly interrupted by the heretofore unseen MASSIVE tv in Damon’s room feeding us the news about, among other things, the missing girl Damon totally murdered last week. Oops! Everyone’s watching that same thing over at Gilbert rez because they all love breakfast television. Well, Uncle Daddy does. Elena and her ponytail (!) are too busy pumping him for information about what he’s doing there. He’s saved from having to answer his daughter’s questions by Jenna’s entrance and extremely righteous anger at seeing John again. Alaric takes about ten seconds to bolts. Heh. Unfortunately, Jenna tries to tell John that he has no right, essentially, so John tells her that as Elena’s biological dad, he’s got plenty of them. At this point, my viewing companion and I get into a disagreement about having rights v. having to go to court to assert those rights, but I seem to recall that John and Jenna were co-guardians and that John just never stepped up. Anyway, pointless. John’s there because Jenna is incapable of observing who spends the night at her house.

Oh, The Vampire Diaries, how we’ve missed you. Thanks for “The Sacrifice.” Everyone’s protecting everyone else all over that place: Bonnie, Jeremy, Stefan, and Damon all get in on a plan to save Elena, so you know our brave little toaster’s going to turn right around and try to save all of them. Which leaves Caroline and Tyler to save each other, which in turn leaves poor Matt out in the cold. And because he doesn’t want to feel left out, Alaric sacrifices his shirt. Atta boy.

Somehow the Opening Juxtapositions Have Already Lost Their Shine

The now-canon opening cross cut isn’t doing it for me this episode, so let’s skip it. Stefan and Damon head to the tomb to have a little chat with Katherine, who’s looking wan again, but at least someone brought her a sweater. They report their chat and the intel from Slater back to Elena: they can lift the curse (not sure if they mean the Petrova curse or all three) from the moonstone, essentially rendering it a useless object, which will save Elena. Katherine will turn over the stone in exchange for her freedom, a deal the brothers have no intention of honouring. Damon: “Yup, we’re awesome.”